Solo Pianist - Diary entries
Many of the initial performance details listed here were compiled from Zarui Apetian’s important research, published in Literaturnoye Nasledie [Collected Literature] (Sovietskii Kompozitor: Moscow, 1980, vol. 3, pp. 439-467). These details have been subsequently cross-referenced and checked with the many itineraries and other corroborating materials, especially substantial research that identified precise program details, collected by Rachmaninoff’s sister-in-law, Sophia Satina, housed in the Rachmaninoff Archive of the Library of Congress, Washington, D.C (LoC, Sergei Rachmaninoff Archive, ML31.R22, Papers of Sophie Satin, boxes 82-89). Further information has been gathered from Barrie Martyn’s book Rachmaninoff: Composer, Pianist, Conductor (Scolar Press: London, 1990), A Catalogue of the Compositions of S. Rachmaninoff by Robert Threlfall and Geoffrey Norris (Scolar Press: London, 1982), and research undertaken at the Glinka Museum of Musical Culture, Moscow.
March 1 1919
Rachmaninoff's role: Solo Pianist
Notes: LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
March 4 1919
Rachmaninoff's role: Solo Pianist
Notes: The concert commenced at 8.15pm. The first attached review notes Rachmaninoff began by playing 'The Star-Spangled Banner', and that the Polichinelle, op. 3, no. 4, was one or two encores at the end. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
March 7 1919
Rachmaninoff's role: Solo Pianist
Notes: The concert commenced at 8.15pm. The first attached review notes that Rachmaninoff began by playing 'The Star-Spangled Banner', and that Tchaikovsky's Troika and Rachmaninoff's Polichinelle, op. 3, no. 5, were played as encores. As the attached press clipping indicates, the program was different to what was advertised in relation to Rachmaninoff's own works. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
March 9 1919
Rachmaninoff's role: Solo Pianist
Notes: LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
March 13 1919
Rachmaninoff's role: Solo Pianist
Notes: The concert commenced at 4.30pm. Rachmaninoff's Prelude in G minor, op. 23, no. 5, is noted as an encore, along with Tchaikovsky's Troika, a Nocturne perhaps by Field, and a Chopin waltz. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
March 23 1919
Rachmaninoff's role: Solo Pianist
Notes: The attached reviews indicate a Chopin Waltz in A flat major was played as an encore after the Strauss-Tausig works, while Tchaikovsky's Troika was given at the end. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
April 28 1919
Rachmaninoff's role: Solo Pianist
Notes: Satina lists this concert as being on April 27 three times in her files, as does Martyn, however the program indicates that it took place on April 28. Satina writes that as an encore Rachmaninoff played the Prelude in C sharp minor, op. 3 no. 2, and that his performance was an ‘auction’ for one million dollars (or more). In his book, Martyn claims that the ‘purchaser’ was Ampico, ‘who achieved enormous publicity, and business, from this stratagem for promoting one of their artists’ (p. 499). It is not indicated which of Liszt's Hungarian Rhapsodies was played - both nos. 2 and 12 were frequent inclusions in his repertoire at the time. Lieut. Col. Theodore Roosevelt, also known as Theodore Jr, was the son of US President Theodore Roosevelt. Satina lists the following personnel for this Victory Liberty Loan Concert:
Victory Liberty Loan Committee (C Conway, Chairman)
Concert Committee (E Irion, Chairman)
Liberty Loan Representatives
Trade and Professional Committee
Advisory Committee
Executive Committee
Piano Committee
Talking Machine Committee
Piano and Organ Supply Committee
Musician Committee
Music Publishers and Music Roll Committee
Music Teachers Committee
Music and Merchandise Committee
Publicity
LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
October 12 1919
Rachmaninoff's role: Solo Pianist
Notes: Satina noted that the key of the Chopin Waltz was not given in the review, and that Rachmaninoff played his Prelude in C sharp minor, op. 3, no. 2. It might be presumed that Mendelssohn's Rondo Capriccioso and Chopin's B flat minor Scherzo were included in the program, as they appeared in most later iterations of it. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
October 15 1919
Rachmaninoff's role: Solo Pianist
Notes: Satina noted that the key of the Chopin Waltz was not given in the review she was sent (although it would have been either op. 64, no. 1, or op. 70, no. 3), and that Rachmaninoff played his Prelude in C sharp minor, op. 3, no. 2. It might be presumed that Mendelssohn's Rondo Capriccioso followed the Beethoven Sonata, and that Chopin's Scherzo no. 2 in B flat minor was played at the end of that group. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
October 17 1919
Rachmaninoff's role: Solo Pianist
Notes: Satina listed this date in her summary of the season but apparently missed identifying a program. Given the recitals in venues on either side, the program can perhaps be presumed as the same or at least similar. The attached review notes the Chopin Scherzo and Gounod-Liszt Waltz, along with the Prelude in C sharp minor, op. 3, no. 2. Paderewski's Minuet is noted as the encore. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
October 19 1919
Rachmaninoff's role: Solo Pianist
Notes: Satina was unaware that Mendelssohn's Rondo Capriccioso and Chopin's Scherzo were on the program. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
October 25 1919
Rachmaninoff's role: Solo Pianist
Notes: No details were identified by Satina, although Apetian noted that this was a ‘mixed concert’ at which 5 unidentified pieces were performed, presumed to be solos. The attached review and press clippings indicate the concert was a fundraiser for the King and Queen of Belgium, specifically for a medical research centre in Brussels. While the attached review refers to Rachmaninoff playing a 'famous Nocturne' by Chopin, it could have been confused with the first work played by Heiftetz. The program given here is according to the attached press notice; there is no indication of any encores given. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
October 26 1919
Rachmaninoff's role: Solo Pianist
Notes: Satina wondered if the Funeral March by Alkan might not have been played, which the second attached review confirms was removed from the program. Rachmaninoff's Prelude in C sharp minor, op. 3, no. 2, is noted as the encore. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89. Review: Boston Herald 1919.10.27 p. 13.
October 28 1919
Rachmaninoff's role: Solo Pianist
Notes: Satina was unable to identify any details of this program, yet the attached review identifies the pieces. Mendelssohn's Spinning Song and a Chopin waltz are noted as encores. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
November 6 1919
Rachmaninoff's role: Solo Pianist
Notes: Satina was unaware of Mendelssohn's Rondo Capriccio and Chopin's Scherzo being on the program. The third attached review indicates that Mendelssohn's Spinning Song was played as an encore after the Rondo, a Chopin Waltz in A flat major after the Chopin group, and a further Etude-Tableau at the end. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
November 9 1919
Rachmaninoff's role: Solo Pianist
Notes: Satina was unable to find details of the program for this concert, yet it can be reconstructed from the attached press clipping. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
November 10 1919
Rachmaninoff's role: Solo Pianist
Notes: Satina was unaware of the work by Mendelssohn on the program, and the Scherzo of Chopin. Mendelssohn's Spinning Song is noted as an encore after the Rondo Capriccioso in the attached review. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
November 12 1919
Rachmaninoff's role: Solo Pianist
Notes: Satina did not record which etudes by Schumann, Chopin, Rachmaninoff or Rubinstein were played in this interesting program, but speculated that the work by Scriabin was probably op. 8, no. 12, in D sharp minor. Details for the Chopin etudes were provided in a review of the concert in Buffalo on November 18. Rachmaninoff's Prelude in C sharp minor, op. 3, no. 2, is noted as an encore in the attached review. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
November 14 1919
Rachmaninoff's role: Solo Pianist
Notes: Satina did not record which etudes by Chopin, Rachmaninoff, Schumann or Rubinstein were played in this interesting program, but speculated that the work by Scriabin was probably op. 8, no. 12, in D sharp minor. The details for the Chopin etudes were provided for the concert in Buffalo on November 18, and were possibly the same at this concert. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
November 16 1919
Rachmaninoff's role: Solo Pianist
Notes: Satina noted that Rachmaninoff’s Prelude in C sharp minor, op. 3, no. 2, was added to the program. She was not aware of the inclusion of Mendelssohn's Rondo Capriccioso, nor Chopin's Scherzo. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
November 17 1919
Rachmaninoff's role: Solo Pianist
Notes: Satina noted that Mendelssohn’s Spinning Song, op. 67, no. 4, and Rachmaninoff’s Prelude in C sharp minor, op. 3, no. 2, were added, presumably as encores, the second of these being confirmed in the attached review. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
November 18 1919
Rachmaninoff's role: Solo Pianist
Notes: Satina did not record which etudes by Schumann, Chopin, Rachmaninoff or Rubinstein were played in this program, but speculated that the work by Scriabin was probably op. 8, no. 12, in D sharp minor. The first attached review provides more precise details on the etudes of Chopin. Encores consisted of two waltzes by Chopin after the etudes (including on in A flat major), Rachmaninoff's Prelude in C sharp minor, op. 3, no. 2, and Barcarolle, op. 10, no. 3, after his etudes, and Paderewski's Minuet at the end of the recital. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
November 25 1919
Rachmaninoff's role: Solo Pianist
Notes: Satina indicated that Mendelssohn’s Spinning Song, op. 67, no. 4, was added to the program, which the attached review indicates was added as an encore after the Rondo Capriccioso. The other encores noted were Chopin's Waltz in D flat major ('Minute'), op. 64, no. 1, and Rachmaninoff's Prelude in C sharp minor, op. 3, no. 2. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
December 11 1919
Rachmaninoff's role: Solo Pianist
Notes: Satina does not identify which etudes by Chopin, Rachmaninoff, Rubinstein and Scriabin are played, however she identifies here certain works with more precision than the first concerts of this etude-themed program, first given in Saginaw on November 12. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
December 14 1919
Rachmaninoff's role: Solo Pianist
Notes: LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
December 16 1919
Rachmaninoff's role: Solo Pianist
Notes: Satina noted that the Paganini-Schumann Etude was not listed in a review, and it appears likely that it was not yet being included as the concert-opener of this program. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
December 17 1919
Rachmaninoff's role: Solo Pianist
Notes: Satina questioned whether the Paganini-Schumann etude was played, which the attached press clipping confirms was not the case. The attached reviews indicate that Chopin's Etude in G flat major, op. 25, no. 9, was played as an encore after the Chopin group, while a Waltz in A flat major of Chopin, Rachmaninoff's Prelude in C sharp minor, op. 3, no. 2, and the Polka de W.R. were played at the end. The first attached review names the Chopin etudes, and it is presumed that the one in A minor was no. 4 and not no. 11. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
December 21 1919
Rachmaninoff's role: Solo Pianist
Notes: The first attached review indicates that Rachmaninoff played two of his Preludes as encores, including the one in C sharp minor, op. 3, no. 2, a waltz by Chopin, and the Polka de W.R. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
December 27 1919
Rachmaninoff's role: Solo Pianist
Notes: Satina’s papers indicate that she was perplexed about this concert. In her listing of concerts for the season she over-typed her question about whether it was held in New York, writing that ‘according to Rachmaninoff’s notebook, he gave a recital near New York on December 27’. This seemed logical, given that Rachmaninoff played with orchestra in New York on December 26 and 28, yet she could not find verification from the office of Mr A Scott in ‘Carnegie Programs’. I was contacted separately by someone wondering whether a concert was given at the Baldwin School in Philadelphia around this time, as Rachmaninoff’s daughter, Irina, was a student there. However, further correspondence from a colleague in the US confirmed the details of the works and location, verified by a photo of the program. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.
January 3 1920
Rachmaninoff's role: Solo Pianist
Notes: Satina noted that Mendelssohn’s Spinning Song, op. 67, no. 4, was added to the program, presumably as an encore after the Rondo Capriccioso. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.