Des Moines, IA, USA
Hoyt Sherman Auditorium
32 Variations in C minor, WoO. 80
Beethoven
Prelude from Violin Partita in E major
Bach-Rachmaninoff
Nachtstück, op. 23
Schumann
Impromptu in F minor
Schubert
Invitation to the Dance
Weber-Tausig
Scherzo, from A Midsummer Night’s Dream
Mendelssohn-Rachmaninoff
Nocturne in F sharp major, op. 15, no. 2
Ballade no. 3 in A flat major, op. 47
Chopin
Prelude in B minor, op. 32, no. 10
Prelude in A minor, op. 32, no. 8
Rachmaninoff
Sonetto del Petrarca
Rapsodie Espagnole
Liszt
Rachmaninoff's role
Solo Pianist
Notes
Satina was unsure how many of his own preludes Rachmaninoff played in the body of the recital, but this is clarified by the attached review. While she has indicated that the Nachtstück is in F major, it is possible that it was either no. 2 or no. 4. She believed the Schubert Impromptu was D. 935, no. 4, while Martyn (p. 434) indicates D. 935, no. 1. The Liszt Sonetto del Petrarca in E major, no. 104, was frequently played in programs around this time. Tchaikovsky's Troika, and Rachmaninoff's Humoresque, op. 10, no. 5, and Prelude in C sharp minor, op. 3, no. 2, are noted as the encores. LoC, Sergei Rachmaninoff Archive, ML31.R33, Papers of Sophie Satin, boxes 82-89.